"Slave Owner's Gospel" by J. Dewveall

Animated Music Video and Song



To accompany the song, I worked with a local Nashville animator, Nathan Morrow, to make a music video that brings even more richness and meaning to the storyline, giving a visual connection to the characters and events in America’s religious, and civil rights, past.



“Slave Owner's Gospel" is a journey through the messy history of the American Church and racism, from the times of slavery to Jim Crow and the civil rights era, then into our present day, ending with a call to "let go of the slave owner's gospel" and begin a more hopeful future. 

In the song, I focus on heaven, and the afterlife, to show how the slippery slope of our beliefs can lead to white supremacy that seeks theological cover as it props up injustice. 

It's a song that weighs heavily on the heart, but, hopefully, will also inspire change. 

I want to start off by thanking you for even taking the time to listen and ponder the material. I'll be honest, I've never been more afraid to release a song into the public discourse. Racism in America is a minefield and the path through is not for me to lead. But I also can't sit and watch from the edges. Instead, I hope to support people of color, along with other oppressed communities, as they lead the way into a more just future. I hope that this song will be part of that support, but I also fear that I could do more harm than good. 

Why? Because the critique that "Slave Owner's Gospel" presents is not from an outside point of view. I grew up in the Baptist tradition. I've loved the Bible and theology for as long as I can remember and the "gospel" that I grew up with is one that I wholeheartedly championed. I believed that it was truly good news. It wasn't until I grew older that I began to see that my good news wasn’t always accepted as good news by others. And if the gospel isn't good news to people on the margins, then it must not be the gospel. 

When I truly look at myself, I can see that the slave owner's gospel is my own history. It's why I chose to write the song from a first-person perspective, taking on the role of each preacher as they deliver their theological justifications for oppression. 

And when I accepted this as my history, I began to see a through-line from the slave owner's theology to the theology that I grew up believing. It may not appear blatantly racist today, but the potential for misuse and injustice still exists. And if that's true, we must find a way to let go of the slave owner's gospel once and for all. 


Song Credits: 

Jonathon Dewveall - Vocals, Guitar, Piano 
Jacob Briggs - Drums, Percussion 
Dave Coleman - Guitar, Bass, Keys 
Dita Rose - Background Vocals 
Thomas Rose - Background Vocals 
Melanie Dewveall - Background Vocals 

Written by: Jonathon Dewveall 
Produced by: Jonathan Dewveall and Dave Coleman 
Engineered and Mixed by: Dave Coleman 
Additional Engineering: Jacob Briggs 
Mastered by: Marcelo Pennell 

Video Credits: 

Directed and Animated by: Nathan Morrow 
Additional Background Color by: Skylar Wilson 

Creative Credits: 

Album Artwork by: Melanie Dewveall 
Photography by: Allison Gower

What's News


 Thanks for finding your way here. Whether it was on purpose, or by accident, here’s the low-down on what you’re getting yourself into. 

My name is Jonathon Dewveall and I’m a half-assed singer/songwriter on a life-long search for existential meaning. I haven’t figured anything out just yet, but I'm happy to fill you in on what I'm learning, and un-learning, along the way. In the meantime, maybe you’d like to join me on this mostly fruitless adventure.

"How?"  I'm so glad you asked.


That's right, I'd love to have you on my mailing list. You see, I’m a middle-aged musician who is mostly burned out on self-promotion and I’d like to find a way to still make some music without selling my sexy dad-bod on TikTok. I’m open to other ideas, but for now, the mailing list is a great place to start.

After you've signed up, go listen to some of my music. I suggest the "TMI / Free Songs" section of the website. It's kind of the “What’s he up to now?” part. You could also check out the “Music” page and hear the songs of yesteryear, back when my wife and I were in a band together. 

Really want to get on my good side? Send me a message about something spicy, like process thought, theoretical physics, baseball, or religious studies. Also, tacos are my love language. 

Wherever you decide to start, thanks for coming along.